It depends on your source material, the size of your project, if you are working with anyone else and your target output format. Premier can work really well with many native camera formats. If you have shot everything in H.264, on a camcorder, ph. The media formats listed here are supported for directly importing and editing with Premiere Pro CC. The required codecs are built in to Premiere Pro CC, and supported on both Mac OS and Windows systems unless stated otherwise. Sony cameras You can directly import and and edit the following media: Sony XDCAM Sony XDCAM 50 Sony XAVC.
The codecs found in Adobe Media Encoder depend on the application or bundle that is installed.
Adobe Media Encoder is the hub for encoding media from Adobe media applications. There is one point of confusion for our customers, however, and that is that there are varying forms of Adobe Media Encoder, depending on which application or suite you have installed.
The codecs that are found in Adobe Media Encoder depend on which version of Creative Suite or standalone program that is installed. So, while a codec might be installed in one version of Adobe Media Encoder, it might not be found in another. This has a lot to do with licensing fees that are paid to creators of certain codecs. So, how do you find out which codecs are installed in your version of Adobe Media Encoder?
Adobe Media Encoder CS5.5, and later enables the following import and export formats when installed by any Adobe CS5.5, and later application or suite.
Import Formats
Video: AVI, DV, FLV, F4V, Animated GIF (Windows Only), MPEG-1, MPEG-2, MPEG-4, MXF, MXF OP1a (CS5.0.2 and later), QuickTime, WMV, P2/AVC Intra, RED RAW (R3D), Video for Windows (AVI, WAV; on Mac OS, requires QuickTime player), Windows Media (WMV, Windows only)
Video: AVI, DV, FLV, F4V, Animated GIF (Windows Only), MPEG-1, MPEG-2, MPEG-4, MXF, MXF OP1a (CS5.0.2 and later), QuickTime, WMV, P2/AVC Intra, RED RAW (R3D), Video for Windows (AVI, WAV; on Mac OS, requires QuickTime player), Windows Media (WMV, Windows only)
Still-image: Photoshop (PSD), Bitmap, Cineon/DPX (CIN, DPX), GIF, Icon File (ICO), JPEG, PICT, PNG, Targa, TIFF. Adobe Media Encoder CS5.5 can also import files of any still-image format as a sequence.
Audio: Advanced Audio Coding (AAC, M4A), AIFF, ASND (Soundbooth Format), QuickTime, MP3, AVI, WAV (on Mac OS, requires QuickTime Player), WMA (Windows only), WAV
Export Formats
Video: H.264, FLV, F4V
Video: H.264, FLV, F4V
Audio: MP3
If you have Master Collection, Production Premium, Premiere Pro, or After Effects installed, these additional import and export formats are enabled.
Import Formats
Video: DV100, DV50, MPEG4 part 2, XDCAM HD, JPEG 2000, MJPEG, MPEG2, Uncompressed AVI, VC1
Video: DV100, DV50, MPEG4 part 2, XDCAM HD, JPEG 2000, MJPEG, MPEG2, Uncompressed AVI, VC1
Audio: AMR
Export Formats
Video/Image: MPEG-2, MPEG-2 DVD, MPEG-2 Blu-ray, MPEG-4, P2 (MXF), MXF OP1A (Adobe Media Encoder CS5.0.2), QuickTime movie (MOV; requires QuickTime), Windows Media (WMV; Windows only), Video for Windows (AVI; Windows only)
Video/Image: MPEG-2, MPEG-2 DVD, MPEG-2 Blu-ray, MPEG-4, P2 (MXF), MXF OP1A (Adobe Media Encoder CS5.0.2), QuickTime movie (MOV; requires QuickTime), Windows Media (WMV; Windows only), Video for Windows (AVI; Windows only)
Still-image: Bitmap (BMP; Windows only), DPX, GIF (Windows only), JPEG, PNG, Targa (TGA), TIFF (TIF)
Audio: AIFF, MP3, Waveform (WAV), Advanced Audio Coding (AAC), AC3 Dolby audio (except After Effects standalone version)
For more information about supported import file formats, see this page in Adobe Media Encoder Help. For more information about supported export file formats, see this page in Adobe Media Encoder Help.
Now when you encode media using Adobe Media Encoder you’ll know exactly the codecs you should expect to see.
H.265 will surely become the mainstream video codec soon. Nowadays H.265 is widely used to shoot 4K recordings by many professional cameras such as Samsung NX1, Sony PMW-F55, Panasonic Lumix DMC-GH4, BlackMagic Ursa, etc. Have some H.265 videos and want to edit them in Adobe Premiere but only found can't work with H.265 file in Adobe Premiere Pro CS4/CS5/CS3/CS6/CC:
'I know that Premiere is h.265 compatible, but apparently not with DJIs version. It won't import. Any work arounds?'
'I decided to give a trial a shot of adobe premiere pro, I have never used it before (coming from sony vegas). But it won't import any of my h265 files that were recorded from my drone footage (DJI). These are the raw files from the drone, have not been transcoded or touched. When I try to import them it says 'unsuported format or damaged file'. I can import h264 recorded footage from the same drone without issue. Any ideas?'
It is officially stated that H.265 is supported by Adobe Premiere. Why so many people are encounter problems when working with H.265 files in Premiere Pro? Read on to find the reasons and the solutions.
Reasons and Solutions for H.265 Doesn't work with Premiere Pro
1. Premier supports h.265 files but the P4P h.265 files are not recognized by any of the Adobe apps such as Premiere Pro CS5/CS4. Get the latest version of Adobe Premiere Pro CC. |
2. Adobe is ALWAYS slow on this stuff. Lightroom won't have the lens corrections in there for 2-3 months, also. You can try DaVinci Resolve. |
3. What's the format of your HEVC video, MOV format or MP4? The reports are only accepting MP4 not MOV formats. If you shot h.265 in MOV, you can go into the folder where your files are from and edit the name of the file by changing the extension from a .MOV file to a .MP4 extension and accept the change of extension and then drag and drop into Premiere. |
4. When you first try to import HEVC video to Premiere Pro, you need to install the HEVC codec, and by clicking 'Ok', it will do it automatically and then import the video just fine. |
5. You can solve the issue by converting h265 from P4P to Prorres HQ with DJI TRANSCODING TOOLS. https://dl.djicdn.com/downloads/inspire_1/DJI_Transcoding_Tool_v0.9.2.dmg |
6. As stated above, use .mp4 and have an updated version of Premiere. If you have the CC license, it should be up to date already. Older CS versions don't support H.265. Keep in mind that 4K H.265 footage requires a ridiculous amount of processing power if you want to edit it in its original format, so you might want to create proxies of the clips before you start editing. Unless you have a very high-end PC. |
7. Adobe first started support HEVC in CC2015 so any earlier versions don't have the codec. When you first try and import a H265 file a message should appear telling you that you need to license the codec . The license is part of Premiere Pro CC but not automatically turned on for every user unless they use it. WHY? there is actually a license fee that Adobe manage for you and it gets activated with your first Import or Export. You need to be connected to the internet for the first time you use it and once you do that you don't need to be connected to license again unless you re-install or there is a major update. Adobe is always 'tweaking' playback with CPU/GPU support. H265 playback is decent in Premiere Pro CC 2017. Lots of people use it as a .265 player - BUT, Encoding takes a longtime. |
Ultimate Solution - Convert H.265 to MPEG-2 for Premiere Pro
HEVC/H.265 is stuttery and slow to edit, even on a really solid studio-pc. Fortunately, there is an easy and quick solution to fix all the H.265 and Premiere Pro issues. All you have to do is transcode H.265 to a more editing-friendly format like MPEG-2 or ProRes for Adobe Premiere. Along with some help from a third-party program like EaseFab Video Converter for Mac, you can achieve your goal smoothly. This program features high efficiency and seamless conversion. With it, you can convert HEVC/H.265 MP4, HEVC MOV, 4K HEVC/H.265 to Adobe Premiere friendly movie format like MPEG-2, MOV (Note: it applies to all kinds of Adobe Premiere including Adobe Premiere Pro, Adobe Premiere Pro CS3/ CS4/ CS5/CS6/CC) keeping the original quality.
Besides Adobe Premiere, this software can also export various other professinal encoders - Apple Intermediate Codec, ProRes and DNxHD, DVCPRO, HDV, MPEG-2 - ensuring maximum editing quality and efficiency when working with iMovie, Final Cut Pro, Avid Media Composer, Adobe Premiere Elements, After Effects and more. If you're a Windows users, simply turn its alternative choice - Video Converter for Windows.
Now download the program according to your computer OS and follow the step-by-step guide below to start encoding H.265 for Adobe Premiere Pro.
Step 1. Import H.265 videos
Install the H.265 to Premiere Pro Converter and run it. Drag the H.265 files to the software. Or you can also click 'Add' button on the top of the main interface to import video to the program. (Note: batch conversion is supported, so you can load more than one file to save time.)
Step 2. Selec output format
The program has three already optimized the video settings for Adobe Premiere. You can select MOV, WMV or MPEG-2 from 'Editing Software' as the output format. Here we recommend you choose MPEG-2. The output videos will keep the original quality of the H.265 video and seamlessly fit Adobe Premiere CC, CS6, CS5.5, CS5, CS4, etc.
Step 3. Set Advance Settings (Optional)
The default setting works well. Of course, if you want to customize video and audio encoding settings, just click the 'Settings' button to customize these settings. You can adjust the output video/audio resolution, frame rate, bit rate, etc. to customize the output files to get the best quality you want. For smooth editing, you're recommended to compress 4K to 1080p by choose the output file resolution as 1920*1080 from 'Size(pix)' drop-down option.
Step 4. Start converting H.265 files
Click the big 'Convert' button in the main UI to begin the H.265 to MPEG-2 conversion. You can see your converted videos by clicking 'Open' button.
Then you are able to import and edit H.265/HEVC footage in Premiere Pro CC without any problem. Enjoy!
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